supported by 9 fans who also own “We Work in the Fields”
To my way of thinking, Brian is the logical heir to the genre pioneered by Pink Floyd in "More" and "Pompeii" before they got all squiggly with too much money. His tone poems are delicious and nutritious and full of nuts and seeds to feed the soul.
My subwoofer is also very happy with being able to contribute. rcarlberg/Anode
supported by 9 fans who also own “We Work in the Fields”
This album is jolting, rhythmic and vivid. I listened to it fully and an it was an experience. I found this artist randomly through TikTok and cannot be thankful enough that this unique music was brought to my attention. I recommend a deep dive into the substantial catalog. zenmaster489
supported by 8 fans who also own “We Work in the Fields”
The sui generis listening experience one has come to expect from Fossil Aerosol Mining Project. Normally listening to a double record from start to finish can have some dips and an urge to pause. This is not that double record. I scarcely noticed time passing. Riveting. Buy it, and try to get the CD as their packaging is always splendid. Nathan Duin
In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal. Bandcamp New & Notable Mar 7, 2020
supported by 8 fans who also own “We Work in the Fields”
this LP is as good as the rootsman collabs,the djhn lps, and a favourite of mine ..up there with his best ..this and Narcotic are among his best ...imho christopherogley